Micro Docs

During the Covid lockdown, Jasmeen Kaur captivated a global audience by showcasing her designs on Instagram Live. Her catchy tagline, “So beautiful. So elegant. Just looking like a wow,” quickly went viral, skyrocketing her brand @designmachinesuitslive allowing her to open more stores and fulfill thousands of orders every day.

Red Bull Culture Clash 2024 features 4 rounds of head-to-head performances from 4 crews representing 4 of New York City’s most vibrant parades. Follow us to see how Alison Boya Sun from EST Media works with community leader Karho Leung (12Pell) and MC Deb Jungin Kim to pull the event off. © Red Bull Media House Cover: Ryan Muir/Red Bull Content Pool

K-pop might be the glittery diamond, but K-indie is the hidden gem. 💎✨ While K-pop dazzles with its polished performances and catchy tunes, K-indie offers a more raw, authentic sound. K-indie artists Rad Museum, Tabber, and Miso pursued a career in music even though their parents really didn’t want them to. Now, the three artists are touring globally, including visiting Australia where they performed to sold out shows. With the help of indie promoter Kohai, the three now tour together internationally under you.will.knovv: a Seoul-based indie label founded by fellow artist DEAN back in 2017. Here’s what the trio said about their first performances, and how crowds differ across cultures.

The first Korean Show on Broadway, ‘KPOP’, reminds us that joy is a universal experience. ‘KPOP’ follows the journey of 2 music groups striving to become K-pop idols and debut in New York City. This show unites the audience in a shared celebration of music and storytelling. It is a story made to be enjoyed by everyone because embracing the beats of K-pop doesn't require you to know Korean. ‘KPOP’ unexpectedly closed its curtains after a short, two-week run. Its abrupt end echoes the fate of many BIPOC shows on Broadway that have ended too soon. This opens up a larger discussion about the unfair standards imposed on BIPOC representation. Asian stories deserve to be told, and ‘KPOP’ serves as a reminder of the beauty of representation on the grand stage.

When Jeffrey was in high school, he first started realizing that he had crushes on his guy friends. He struggled with this–especially when he told his crush he liked him and was rejected. He began questioning how long he could get away with ignoring who he was. He built his first body of work ‘Typhoon’, which was his coming out story. Originally, JËVA made music to escape his sexuality. JËVA, or Jeffrey, is a Chinese-Australian gay artist who first used every one of these descriptors to get people's attention. But it was these exact buzzwords that helped him accept his identity. Today, not only does he have the approval of his parents, he also has fans who have thanked him for creating music that expressed their struggles. But he still deals with adversity–like the Australian music industry execs, who are scared to take risks and don’t know what to do with JËVA. His message today embodies that being gay is a part of who you are, as opposed to your entire identity.

Between the pandemic and political changes in Hong Kong, many places are being demolished without people even knowing. These explorers are trying to hold on to some of the city’s past with their photo book ‘Spatial Cemetery’. Abandonment and development come hand in hand, and naturally some cities have more abandoned spaces than others. Hong Kong has a particularly high concentration of these areas because of the rapid development post-handover in 1997. Echo and Ghost co-founded HK Urbex a decade ago, in hopes to find unique spots around Hong Kong. They say exploring an abandoned environment is exciting, anxiety-inducing and even surreal. Outside of just exploring, HK Urbex is documenting these spaces through photography in hopes to immortalize them. But they are disappearing fast.