11/28/2024

As Above, So Below

From Grammy nods to industry accolades, Nikita Chauhan is a force to be reckoned with. Based out of the UK, but managing influential artists across the world, from India and West Africa, back to London, Nikita has navigated the doubt, rejection, and constant need to maintain vision, with unwavering determination and a deep-rooted faith that she inherited from her grandparents. This is a story about success, and learning to cultivate the resilience needed to be a boss. But it’s more than that: it’s a story of legacy, one that finds the softer, often hidden strands that weave through the DNA of the people we admire most. Discover the inspiring story behind this young mogul in As Above, So Below.

About the Filmmaker

11/28/2024

As Above, So Below

From Grammy nods to industry accolades, Nikita Chauhan is a force to be reckoned with. Based out of the UK, but managing influential artists across the world, from India and West Africa, back to London, Nikita has navigated the doubt, rejection, and constant need to maintain vision, with unwavering determination and a deep-rooted faith that she inherited from her grandparents. This is a story about success, and learning to cultivate the resilience needed to be a boss. But it’s more than that: it’s a story of legacy, one that finds the softer, often hidden strands that weave through the DNA of the people we admire most. Discover the inspiring story behind this young mogul in As Above, So Below.

About the Filmmaker

Watch more

Break the Frame: Asian Americans in Hollywood

Asian artists have achieved great success in Hollywood, in recent years, but getting that seat at the table has not been easy. Asian stars of the past like Anna May Wong, Sessue Hayakawa, and Miyoshi Umeki paved the way through challenging paths. Their journeys are a tale of resilience, adversity, and strength on the quest for authentic representation.Wong, Hayakawa, and Umeki dealt with constant typecasting into stereotypical roles, despite their undeniable star talent. Their experiences underscore the serious challenges faced by Asian women and men in breaking free from stereotypes. Beyond limited film choices, these stereotypes also meant financial hardships. Anna May Wong received unequal pay in 'Daughter of The Dragon’ in comparison to her white costar, even though she had a larger role. Even Miyoshi Umeki, who won a 1958 Oscar for 'Sayonara,' was confined to submissive Asian female roles, showcasing the challenging choices confronting minority actors. Hayakawa faced major criticism from the Japanese-American communities for perpetuating harmful racial stereotypes as an Asian man in Hollywood.While recent progress in Asian representation deserves celebration, lingering challenges persist. The industry must learn from the struggles of these trailblazers to ensure meaningful representation and break free from the historical erasure of Asians in Hollywood. The legacies of Wong, Hayakawa, and Umeki continue to shape the narrative for future generations of Asian artists.

Watch more

The UFO Summoner From Ishigaki Japan

Ishigaki Island, Japan. Everyone's heard about people running into aliens. And everyone thinks generally the same thing: those people are crazy. Claims of encounters with extraterrestrials are usually dismissed as superstition or hallucination. So, when we heard reports of numerous and consistent UFO sightings on Ishigaki -- a modest, neighboring island to Okinawa in southwest Japan -- we arrived as skeptics. When we got to the island, we met Naoyoshi Watanabe, a resident who's heard of a creature with freaky features..."like some sort of mummified octopus, but with a face, arms, and legs." He says his friends came across the creature while fishing in the popular tourist spot, the "Blue Cave." Weirdly, about a week after they told Naoyoshi-san about their encounter and request to look into it, they'd forgotten about it entirely. When Naoyoshi-san's tried to follow up, they don't know what he's talking about. That's weird. But it's one story, and we weren't fully convinced. So we trekked up to the northernmost tip of the island to meet with Suekazu Maeda, a man who claims to regularly 'summon the vehicles of the legendary beings.' He was excited by captive audience, and walked us through his tried and true method - flashing a light into the night sky. Initially, nothing happened, just as expected: no outer-world being appeared. But then, almost as if on command, spheres of light as big as the stars were bursting into the night sky. Over the course of an hour, we were in awe as we witnessed around 8-9 flashes of light interacting with each other in the sky. We were shocked--it felt like being in a daze. Maeda-san, however, was unfazed. He's seen them before, many times, even heard them make noise. He only wishes he could see their faces.

Watch more

X

Trailer

As Above, So Below